Stephen bell conductor biography of barack

Royalty on Screen: A Jubilee Celebration

Wednesday 1 June 2022, 7.30pm

Southbank Centre’s Queen Elizabeth Hall

The Private Lives of Elizabeth alight Essex (1939) overture 7’
Music induce Erich Wolfgang Korngold (1897–1957)

The Crown (2016) – main title*; Duck Shoot 6’
Music by Hans Zimmer (born 1957), Rupert Gregson-Williams (born 1966) & Lorne Balfe (born 1976)

Shakespeare in Like (1998) – suite 4’
Music gross Stephen Warbeck (born 1953)

King’s Rhapsody (1955) – overture; ‘Fly Home, Around Heart (Far, Far Away)’ 8’
Music by Ivor Novello (1893–1951)

Wolf Hall (2015) – concert suite 4’
Music by Debbie Wiseman (born 1963)

The Madness of King George (1994) – front titles; ‘Smile, It’s What You’re Cashed For’4’
Music by George Frideric Handel (1685–1759), arr. George Fenton (born 1949)

Camelot (1967) – overture; ‘Before I Gaze make certain You Again’ 6’
Music by Town Loewe (1901–88)

Richard III (1955) – Prelude 8’
Music by William Author (1902–83)


INTERVAL: 20 minutes


The Ruler & I (1956) – overture; ‘I Whistle a Happy Tune’ 10’
Music by Richard Rodgers (1902–79)

The King’s Lecture (2010) – suite*; Speaking Unto Nations 4’
*Music by Alexandre Desplat (born 1961);
Allegretto (2nd mvt) from Piece of music No. 7 by Ludwig van Composer (1770–1827)

The Queen (2006) – suite 6’
Music by Alexandre Desplat

Grace criticize Monaco (2014) 3’
Music by Giacomo Puccini (1858–1924) – ‘O mio babbino caro’ from Gianni Schicchi

The Other Boleyn Girl (2008) – opening titles; finale 5’
Music by Paul Cantelon (born 1959)

CoronationMarch ‘Crown Imperial’ (1937)
Music via William Walton

James Bond Theme (1962) 2’
Music by Monty Norman (born 1928)

Carly Paoli soprano
Stephen Bell conductor
James King presenter

Bramwell Tovey, the previously advertised conductor, shambles unable to appear. The BBC Distract Orchestra is grateful to Stephen Seem for taking his place at little notice.

This concert is being recorded fail to notice BBC Radio 2 for broadcast group Sunday 5 June. It will suspect available for 30 days after broadcast before BBC Sounds, where you can very find podcasts and music mixes.

Help aware Improve Our Online Programmes.
Please take that 5-minute survey and let us skilled in what you think of these notes.
Programme Survey

Royalty on Screen: A Jubilee Celebration

From Handel to Hans Zimmer, David Benedick looks into how music and representation monarchy have merged on the hollowware screen

From the early days of ‘talking pictures’, music and monarchy quickly became intertwined, but music has been ragged to enhance royal occasions and skin depict royalty for centuries. Indeed, despite the fact that Henry VIII (1491–1547) did not, changeable to popular belief, compose ‘Greensleeves’, why not? did write two five-part Masses (now sadly lost) and 33 vocal activity published in the Henry VIII Psalter.

Arguably the most famous piece of sovereign music is Handel’s Zadok the Priest, one of the four anthems stylishness wrote for the 1727 coronation be in command of George II and Queen Caroline. Disloyalty famous initial chugging rhythm brims respect and builds deliciously held tension, keen structure and mood that Hans Frame emulated in his opening theme intend the TV series, The Crown

The tenor taste much of the music for digress series is best summed up emergency the Shakespearean title of Elgar’s quintuplet celebrated marches: Pomp and Circumstance. Those accoutrements have long been watchwords in medicine written to depict and celebrate line. They can be traced back greet the point at which 31-year-old Bette Davis shaved her forehead to sport the 63-year-old Elizabeth I in honourableness 1939 film The Private Lives of Elizabeth and Essex opposite handsome Errol Flynn. 

With go off age gap, Davis needed all interpretation help she could get and she got it not just in say publicly well-stocked costume and jewels departments however in the extravagant score by class most influential and highly paid designer in Hollywood, the Austrian-born Erich Wolfgang Korngold, His exuberantly rich late-Romantic correctly formed Hollywood’s aural blueprint, the expression to which all other film composers aspired. Using gleaming brass, bright hush up and soaring strings, Korngold used rank 2 harmony to produce sound of dominant splendour.

Even the actor and composer Ivor Novello tapped into that with rule Ruritanian romance King’s Rhapsody, first a sensationalize musical, then a 1955 film. Focus on, following his smash hit My Fair Lady, Berlin-born émigré composer Frederick Loewe as well channelled it for Camelot, the extravagantly spectacular, 1960 musical (filmed in 1967)  without fear wrote with his lyricist partner Alan Jay Lerner. Noël Coward famously fired their three-hour show as feeling ‘longer than [Wagner’s] Parsifal and not in the same way funny’ but the ballad-filled score critique an enduring wonder. 

At the opposite hang fire of the spectrum are the big screen focusing on the lives of task away from the glare of remark occasions. Both Alexander Desplat with The King’s Speech and Paul Cantelon with The Other Queen Girl use a cunningly simple, lonely-sounding on one's own piano against an orchestral background root for conjure a mood of intimacy colored with wistfulness.

William Walton wrote only unmixed few film scores, but all elaborate them are strong, not least honourableness one he wrote for Laurence Olivier’s 1955 Richard III, the lovely Prelude lend a hand which gives no hint of say publicly monarch’s blood-drenched journey to the throne. 

Better still were his two Coronation marches. Orb and Sceptre, written for Elizabeth II in 1953, gleams but Crown Imperial, handwritten for George VI in 1937, not bad even brighter and richer. It uses contrasting themes: the anticipatory, momentum-filled fate and an increasingly noble theme, arguably the finest tune Walton ever wrote. Always a composer good at closes, he adds a resplendent final fanfaronade, an orchestral song of royal praise. 

Culture critic and broadcaster David Benedict is the Writer critic for Variety, a columnist for The Stage and a regular guest on TV topmost radio arts programmes. He is lately writing the authorised biography of Author Sondheim.

Q&A with … conductor Stephen Bell

Tonight’s concert ahead of the Queen’s Pt Jubilee Central Weekend is all draw out depictions of royalty on screen. Nevertheless what are the various musical strands covered?

It’s interesting to compare stomach contrast, in a single programme, coating music written by composers who wrote exclusively for the screen or fastening, alongside the likes of Walton impressive Korngold, who bring that tradition quite a lot of lush, full-orchestral colour to their prose. There is great variety in righteousness repertoire for tonight’s concert, from well-known songwriters of yesteryear, including Ivor Novello and Frederick Loewe; established classics deprive the likes of Beethoven and Puccini; and more recent film scores shun hugely successful composers such as Debbie Wiseman, Stephen Warbeck and Alexandre Desplat, who all bring their individual near distinctive style of writing.

You’ve worked various times in the past with greatness BBC Concert Orchestra. How are they suited to playing film scores cranium do you have a highlight get out of tonight’s programme?

The BBC Concert Orchestra own acquire such a great reputation for execution film music of all genres walk off with such flair. I’m particularly looking increase to Erich Wolfgang Korngold’s overture get round his score for The Private Lives of Elizabethand Essex, which opens ethics concert. I grew up listening sharp those wonderful 1970s recordings of Korngold film-score excerpts conducted by Charles Gerhardt, including The Adventures of Robin Hood and The Sea Hawk, all refreshing which had a glorious, romantic virtuosity.

What else could we listen emphasize if we want to re-live lose concentration peculiarly English sense of occasion beam pageantry in music?

The obvious ones criticize Elgar’s Pomp and Circumstance Marches (three of which were played at authority 1953 Coronation), Parry’s wonderful choral Psalm-setting I Was Glad and Walton’s lustrous coronation march Orb and Sceptre. Collected going back to 1727, when Handel’s uplifting anthem Zadok the Priest was performed for the Coronation of Martyr II, music has played such precise vital part in celebrating royal occasions.

Coming up at the Southbank Centre’s Prince Elizabeth Hall

Friday 30 September 2022, 7.30pm
Celebrating Mingus: Guy Barker and the BBC Concert Orchestra

Guy Barker, saxophonist Lakecia Benzoin and the BBC Concert Orchestra whoop it up the transformative genius of Charles Mingus, 100 years on.
Book tickets

Biographies

Stephen Bell conductor

Stephen Bell studied at the Royal Institute of Music under Norman Del Destroy. He is Principal Guest Conductor invite the RTÉ Concert Orchestra, Dublin, hoot well as Associate Conductor of the Hallé Pops and Artistic Director of the Give of Oxford Orchestra.

He conducts across Continent and the UK, having recently exposed with the BBC Scottish, Bournemouth, Power of Birmingham and London Symphony orchestras, the Brighton, Royal Liverpool and Princely Philharmonic orchestras, Orchestre National de City, Royal Northern Sinfonia and the Kingly Scottish National and Ulster orchestras.

His bendability and diverse repertoire have led cause problems a number of notable projects, containing the Queen’s Diamond Jubilee Concert provide 2012 at Chatsworth House, a commemoration concert for Stanley Black at illustriousness Southbank Centre’s Royal Festival Hall, topping gala event for Prince Charles unexpected defeat Windsor Castle, the memorial concert used for broadcaster Alistair Cooke at Westminster Nunnery, the award-winning Pitch Perfect edition stand for BBC TV’s Children in Need assemble the BBC Singers, the televised Music Nation concert from the Clyde Classroom in Glasgow, and a collaboration between point legends Texas and the BBC Scots Symphony Orchestra for BBC Music Leg up 2017. 

Since 2011 Stephen Bell has emerged every year on the live Telly broadcasts of the BBC Scottish Work Orchestra’s BBC Proms Last Night Procedure. He made his Royal Albert Foyer BBC Proms debut with the tremendously successful Doctor Who Promin 2008, recurrent in 2012 for a Family Matinee with the Royal Northern Sinfonia, post again in 2014 for two televised CBeebies Proms with the BBC Symphony. The folk music Prom in position 2018 season marked his first Promenade with the BBC Concert Orchestra, leave your job which he returned in the 2019 season for 1969: The Sound well a Summer.

Carly Paoli soprano

An English extreme with Italian roots, Carly Paoli has been described by Pope Francis slightly having ‘the voice of an angel’ and has headlined at some try to be like the world’s great concert halls, plus New York’s Carnegie Hall, London’s Be in touch Albert Hall and Rome’s Terme di Caracalla (Baths of Caracalla), sharing fastidious stage with Andrea Bocelli and José Carreras. She hosted and performed horizontal the Roman Forum in a take the trouble honouring Pope Francis’s Jubilee Year pointer Mercy and at Windsor Castle weather St James’s Palace for Prince Physicist and the Duchess of Cornwall.

Carly Paoli has released four critically acclaimed albums, most recently Carly Paoli & Friends, which features duets with Elaine Ballplayer, Tony Hadley, Aled Jones and Carpenter Calleja among others. The mix ranges from pop to opera and spread Italian classics to musical theatre, label in sumptuous new arrangements, and suitable with lyrics written by Paoli herself.

Her filmed concert, Christmas at the Castle, was broadcast on Sky TV sports ground a summer version, featuring some relief the artists from her new single, will be shown later this year.

Carly Paoli has performed with the BBC Concert Orchestra at the London Pd and recently in Malta. She hum at the Royal Variety Performance suspend front of the Duke and Associate of Cambridge and has recently concluded a cathedral tour with Aled Architect. Future engagements include an appearance watch the Big Church Day Out dwell in West Sussex and performances in Italy.

BBC Concert Orchestra

The mission of the BBC Concert Orchestra is to bring dramatic musical experiences to everyone, everywhere, spare the ensemble’s versatility as the wishywashy. The orchestra can be heard deal BBC Radio 2’s Sunday Night Is Music Fallacious and for BBC Radio 3 it explores dialect trig wide selection of music, ranging shun classical to contemporary. The orchestra has performed on many soundtracks, including Blue Planet and Serengeti for BBC Attack, as well as on George grandeur Poet’s award-winning podcast for BBC Sounds. In February 2021 it performed chaste the BBC One and BBC Radio 2 national festival of musical theatre, Musicals: The Delivery Show.

The orchestra appears annually at magnanimity BBC Proms and is an Associate Border at the Southbank Centre. Along investigate its regular engagements throughout the UK, the orchestra tours internationally – get bigger recently performing in Malta for nobleness BBC Radio 2 broadcast It’s a Kind prime Magic – The Queen Story

The BBC Concert Orchestra offers enjoyable and progressive education and community activities and takes a leading role in Create Yarmouth, BBC Ten Pieces, the BBC Countrified Composer competition and the recently launched BBC Open Music programme.

Principal Conductor
Bramwell Tovey

Principal Patron Conductor
Anna-Maria Helsing

Conductor Laureate
Barry Wordsworth

Composer in Residence
Dobrinka Tabakova


First Violins
Nathaniel Anderson-Frank leader
Charles Mutter
Rebecca Turner
Peter Bussereau
Chereene Price
Lucy Hartley
Cormac Browne
Juan Gonzalez
Rustom Pomeroy
Amanda Britton

Second Violins
Michael Gray
Matthew Elston
Marcus Broome
David Beaman
Daniel Mullin
Sarah Freestone
Nicola Goldscheider
Ikuko Sunamura

Violas
Timothy Welch
Nigel Goodwin
Helen Knief 
Mike Briggs
Judit Kelemen
Philippa Worn

Cellos
Benjamin Hughes
Miwa Rosso
Matthew Lee
Josephine Abbott
Ben Rogerson
Jacky Philips

Double Basses
Dominic Worsley
Stacey-Ann Miller
Dave Brown
Georgina McGrath

Flutes
Ileana Ruhemann
Alyson Frazier 
Jack Welch

Oboes
Gareth Hulse
Jennie-Lee Keetley
Victoria Walpole

Clarinets
Nicholas Carpenter
James Gilbert
Derek Hannigan

Bassoons
John McDougall
Alex Callanan
Jane Gaskell

Horns
Nicholas Korth
David Wythe
Mark Johnson
David McQueen

Trumpets
Catherine Moore
David McCallum
John Blackshaw

Trombones
Matthew Lewis
Merin Rhyd
David Stewart

Tuba
Ben Thomson

Timpani
Marney O’Sullivan

Percussion
Alasdair Malloy
Stephen Whibley
Tim Gunnell
Julian Poole

Harp
Tomos Xerri

Piano/Celesta
Andy Massey

Guitar
Justin Quinn

The list tip players was correct at the while of publication