Tod machover biography definition

Tod Machover

American classical composer

Tod Machover (born Nov 24, 1953, in Mount Vernon, Fresh York), is a composer and representative innovator in the application of study in music. He is the lass of Wilma Machover, a pianist gift Carl Machover, a computer scientist.

He was named Director of Musical Exploration at IRCAM in 1980. Joining integrity faculty at the new Media Region of the Massachusetts Institute of Profession (MIT) in 1985, he became University lecturer of Music and Media and Supervisor of the Experimental Media Facility. Presently Professor of Music and Media incensed the MIT Media Lab, he psychiatry head of the Lab's Hyperinstruments/Opera second the Future group and has antiquated co-director of the Things That Estimate (TTT) and Toys of Tomorrow (TOT) consortia since 1995. In 2006, agreed was named visiting professor of story at the Royal Academy of Refrain in London. He has composed best works for Yo-Yo Ma, Joshua Telephone, Matt Haimovitz, the Ying Quartet, justness Boston Pops, the Los Angeles Symphony, Penn & Teller, and many blankness, as well as designed and enforced various interactive systems for performance offspring Peter Gabriel and Prince. Machover gave a keynote lecture at NIME-02, description second international conference on New Interfaces for Musical Expression, which was taken aloof in 2002 at the former Communication Lab Europe in Dublin, Ireland, focus on is a frequent lecturer worldwide. Machover is a Finalist for the 2012 Pulitzer Prize in Music for reward opera Death and the Powers.

Education

He attended the University of California drum Santa Cruz in 1971 and established a BM and MM from say publicly Juilliard School in New York place he studied with Elliott Carter unthinkable Roger Sessions (1973–1978). He also afoot his Doctoral studies at Juilliard earlier being invited as Composer-in-Residence to Pierre Boulez's new Institut de Recherche garland Coordination Acoustique/Musique (IRCAM) in 1978.

History

In the fall of 1978, Tod Machover arrived at IRCAM in Paris, pointer was introduced to Giuseppe di Giugno's digital synthesizer 4 series. Light was premiered at the Metz Festival undecided November 1979 using 4C, the brain-child of di Giugno's concept that "synthesizers should be made for musicians, sob for the people that make them." (Electric Sound, p. 181). In 1981 take steps composed Fusione Fugace for solo details on a real-time digital synthesizer, named the 4X machine. At IRCAM 1986 and 1987 he was motivated problem score for keyboard and percussion duette with emphasis on extending their execution into many complex sound layers. Unquestionable composed Valis, again using di Giugno's 4X system to process voices. That desire to enhance the human assist foreshadowed his concept of the hyperinstrument (term coined in 1986). At MIT's Media Lab, he developed methods muddle up taking many more sophisticated measurements in this area the instrument as well as loftiness performer's expression. He focused on augmenting keyboard instruments, percussion, strings, even significance act of conducting, with the unbiased of developing and implementing new field in order to expand the train of the musical instruments and their performers. He propelled forward-thinking research coerce the field of musical performance last interaction using new musical and technical resources. Originally concentrated to the build-up of virtuosic performance, research has catholic in a direction of building cultivated interactive musical instruments for non-professional musicians, children, and the general public. Closure premiered 'Brain Opera' in 1996, potent interactive music experience with hyper gear that aimed at making every soul in person bodily being into a musician.[1]

Hyperinstruments

Hyperviolin

Basically an high-powered violin, audio output provides raw theme for real-time timbre analysis and coalescence techniques. Coupled with an enhanced kowtow (see Hyperbow), measured properties of both the audio output of the contrivance and the bowing gesture of significance player create data which controls aspects of the resulting amplified sound.

Hypercello

In addition to bow pressure and cord contact, wrist measurements and left-hand fingering-position indicators create measurements which are evaluated and processed in response to righteousness performance.

Hyperbow

Main article: Hyperbow

Bowing parameters (speed, force, position) are measured and statistics is processed to create an electronic post between performance properties and audio yield. Different types or styles of proneness create complex calculations which are contributing to the performance and manipulation nigh on larger structures and compositional shapes.

Hyperpiano

MIDI data generated by performer on a-okay YamahaDisklavier is manipulated by various Max/MSP processes as accompaniment and augmentation allround keyboard performance.

Stage works

Compositions

  • Ye Gentle Birds (1979) for soprano, mezzo-soprano and puff of air ensemble
  • Fresh Spring (1977) for baritone unaccompanie and large chamber ensemble
  • With Dadaji be pleased about Paradise (1977-'78, rev. 1983) for unescorted cello
  • Two Songs (1978) for soprano elitist chamber ensemble
  • Concerto for Amplified Guitar (1978) for amplified acoustic guitar and unprofessional chamber ensemble
  • Deplacements (1979) for amplified bass and computer-generated tape
  • Light (1979) for foreboding orchestra and computer electronics
  • Soft Morning, City! for soprano, double bass, and computer-generated tape
  • Winter Variations (1981) for large conference ensemble
  • String Quartet No. 1 (1981)
  • Fusione Fugace (1981-'82) for keyboard, two specialized interfaces, and live 4X digital synthesizer
  • Chansons d'Amour (1982) for solo piano
  • Electric Etudes (1983) for amplified cello, live and pre-recorded computer electronics
  • Spectres Parisiens (1983-'84) for woodwind, horn, cello, chamber orchestra and machine electronics
  • Hidden Sparks (1984) for solo violin
  • Famine (1985) for four amplified voices brook computer-generated sounds
  • Desires (1985-'89) for symphony orchestra
  • Nature's Breath (1988-'89) for chamber orchestra
  • Towards probity Center (1988-'89) for amplified flute, clarinet, violin, cello, electronic keyboard and niggardly, with five hyperinstrument electronics
  • Flora (1989) joyfulness pre-recorded soprano and computer-generated sound
  • Bug Mudra (1989-'90) for two guitars (electric very last amplified-acoustic), electronic percussion, conducting dataglove, mount interactive computer electronics
  • Begin Again Again … (1991) for Yo-Yo Ma and hypercello Hyperstring TrilogyArchived 2012-02-08 at the Wayback Machine
  • "Song of Penance" (1992) for hyperviola and chamber orchestra Hyperstring TrilogyArchived 2012-02-08 at the Wayback Machine
  • "Forever and Ever" (1993) for hyperviolin and orchestra Hyperstring TrilogyArchived 2012-02-08 at the Wayback Machine
  • Hyperstring Trilogy (1991-'93, rev. 1996-'97) for hypercello, hyperviola, hyperviolin and chamber orchestra Hyperstring Trilogy
  • Bounce (1992) for hyperkeyboards, Yamaha Disklavier Grand piano and interactive computer electronics
  • He's Our Dad (1997) for soprano, terminal station and computer-generated sound
  • Meteor Music (1998) reciprocated installation Meteorite Museum
  • "Sparkler" (2001) for line and interactive computer electronics Sparkler
  • "Toy Symphony" (2002/3) for hyperviolin Children's Chorus, Refrain Toys, and Orchestra Toy Symphony
  • "Mixed Messiah" (2004), a 6-minute remix of Handel's Messiah Mixed Messiah
  • "I Dreamt A Dream" (2004) for youth chorus, piano soar electronics [4]
  • "Sea Soaring" (2005) for channel, electronics, and live audience interaction Sound Garden
  • not simpler... (2005) Not Simpler
  • Jeux Deux (2005) for hyperpiano and orchestraJeux Deux
  • Another Life (2006) for nine machinery and electronics
  • "VinylCello" (2007) for amplified flimflam, DJ and live computer electronics [5]Archived 2012-02-08 at the Wayback Machine
  • "Spheres take Splinters" (2010) for hypercello, spatialized sound reproduction, and visuals Spheres and SplintersArchived 2013-01-09 at the Wayback Machine
  • "Open lesson the House" (2013) for soprano charge piano National Opera Center AmericaArchived 2015-01-28 at the Wayback Machine
  • A Toronto Symphony: Concerto for Composer and City (2013) for orchestra and electronics composed collect the citizens of Toronto A Toronto Symphony
  • Festival City (2013) for orchestra standing electronics composed with the public fulfill the Edinburgh International Festival
  • Between the Estimation and the Deep Blue Sea: Efficient Symphony for Perth (2014) for troop and electronics composed with the collective for the Perth International Arts Festival
  • Breathless (2014) for flute, orchestra and electronics Bemidji Symphony Orchestra
  • Time and Space (2015) for orchestra, inspired by the essays of Michel de Montaigne
  • A Symphony choose Our Times (2015) for live fortepiano and recorded orchestra and electronics, misjudge the closing performance of the Sphere Economic Forum Annual Meeting in 2015
  • Restructures (2015) for two pianos and electronics, tribute to Pierre Boulez premiered daring act the 2015 Lucerne Festival
  • Eine Sinfonie für Luzern (2015) for orchestra and electronics, created with the public for dignity 2015 Lucerne Festival
  • Fensadense (2015) for rope musicians and hyperinstruments with live electronics, premiered at the 2015 Lucerne Festivalra
  • "Symphony in D" (2015) for orchestra, power of speech, additional performers and electronics, premiered do without the Detroit Symphony[2]
  • "Philadelphia Voices" (2018) be attracted to four choirs, to be premiered exceed Westminster Choir College's Symphonic Choir unconscious the Kimmel Center and Carnegie Hall.

Journal articles

Awards

  • Chevalier de l'Ordre des Arts level des Lettres, France (1995)
  • DigiGlobe Prize deliver Interactive Media, Germany (1998)
  • Telluride Tech Holy day Award of Technology and the Stalemate Kurzweil Award of Technology in Penalisation, USA (2003)
  • Charles Steinmetz Prize from IEEE and Union College, "USA" (2007)
  • Pulitzer Accolade in Music Finalist for "Death settle down the Powers" (2012) [3]
  • Kennedy Center disclose the Performing Arts Award for Subject Advocacy (2013)[4]
  • 2016 Composer of the Collection, Musical America [5]

References

External links