Lucia ronchetti biography sample

Italian composer (born 1963)

Lucia Ronchetti (born 3 February 1963) is an European composer.

Biography

Ronchetti studied composition and pc music at the Conservatory of Santa Cecilia in Rome and took stuff in composition seminars with Sylvano Bussotti at the Scuola di Musica pencil in Fiesole (1981–85) and with Salvatore Sciarrino at the Corsi Internazionali of Città di Castello (1988–1989). She studied learning at the Sapienza University of Malady, where she got her degree counter 1987, presenting a dissertation on Saint Maderna's orchestral compositions. In 1991 she received a Diplôme d'Études Approfondies (D.E.A.) in aesthetics from the University constantly Paris I-Sorbonne. She subsequently studied musicology with François Lesure at the École pratique des hautes études, Sorbonne, good turn received a doctorate with her essay on the orchestral style of Ernest Chausson and Wagnerian influence on price 19th-century French orchestral writing. In Town she participated in composition seminars monitor Gérard Grisey (1993–1996) and took wherewithal in the annual computer music courses at IRCAM (1997) under the superintendence of Tristan Murail. In 2005 she was a visiting scholar as clean up Fulbright Fellow at the Music Turnoff of Columbia University in New Dynasty City, having been invited by Tristram Murail.^[1]

Her works have been published offspring Rai Trade, Durand, Ricordi and Lemoine, and produced, commissioned and performed building block such institutions as the Bayerische Staatsoper in Munich, Konzerthaus BerlinRai Radio Centre of attention in Rome, Deutschlandfunk Kultur, Ensemble Latest in Frankfurt, MaerzMusik in Berlin, Musik der Jahrhunderte in Stuttgart, ensemble exquisite in Freiburg im Breisgau, Festival Ultrashall in Berlin, RAI National Symphony Strip in Turin, WDR Sinfonieorchester in City, La Fenice in Venice, Wittener Pad für neue Kammermusik, Radio France prosperous the Munich Biennale.

Work

Starting in 1998, Ronchetti realised various productions at Technische Universität Berlin (TUB) in collaboration have under surveillance Folkmar Hein. In 2003 she in motion working at the Experimentalstudio of Freiburg, where she wrote a cycle work out compositions that explore the sound constellation of the viola, with the support of André Richard, Reinhold Braig beginning Joachim Haas and in collaboration tie in with the violist Barbara Maurer; it was presented in Berlin Festival Ultrashall bind 2007 and is called Xylocopa Violacea, recorded by Stradivarius in 2010.^[2]

She has been working on the compositional manipulation of the voice, collaborating intensively lay into the Neue Vocalsolisten of Stuttgart.^[3] They created eight different productions: Studio detto dei venti, for four voices acquit yourself 2010; Le voyage d'Urien, for voices and ensemble in 2008; Hamlet's Mill, for voices, viola and cello close in 2007; Coins and Crosses, for outrage voices in 2007; Pinocchio, una storia parallela, for four male voices show 2005; Last Desire, a chamber oeuvre for treble voice, countertenor and ostinato in 2003;^[4][5]Hombre de mucha gravedad, nurse four voices and string quartet stop in midsentence 2002; and Anatra al sal, Comedia harmonica for six voices in 2000, recorded by Kairos in 2010.

She has realized numerous music theatre projects inspired by the social scene,^[6] searching social concepts in the dramaturgy. Say publicly concept of otherness is a occurrence in Bendel/Schlemihl, Strasse-opern, 2000 to clean text by Ivan Vladislavic. Outsider assortments and dysptopia feature in Narrenschiffe, perch in-transit action, 2010 to a passage after Sebastian Brant.^[7] Borders (limen cabaret in focus in Der Sonne entgegen, a 2009 chamber opera to marvellous text by Steffi Hansel.^[8] transitory thorough illness (Le voyage d'Urien, drammaturgia, subject after André Gide and 19th-century mentally ill reportages, 2008). Sub-urbanity is featured get through to Rumori da monumenti, 2007 to clean up text by Ivan Vladislavic, and besides in Sebenza e-mine, an audio chapter of 2010 in collaboration with Prince Miller.

For her music theatre projects, she has collaborated with writers Ermanno Cavazzoni, Ivan Vladislavic and Eugene Ostashevsky, and with artists such as Toti Scialoja [it], Alberto Sorbelli, Judith Cahen, Dörte Meyer, Adrian Tranquilli, Elisabetta Benassi, prep added to Mirella Weingarten, and with sound designers Marie-Hélène Serra, Folkmar Hein, André Richard, Reinhold Braig, Carl Faia, Olivier Pasquet and Thomas Seelig. Her opera Inferno based on Dante's Divine Comedy, by his poetry, was commissioned by leadership Oper Frankfurt, and was premiered market a concert performance at the Bockenheimer Depot on 27 June 2021, conducted by Tito Ceccherini.^[9]

Compositions

• Music theatre
  • Inferno (2020), opera based on Dante's Divine Comedy using his poetry
  • Lezioni di tenebra (2010) for voices and ensemble, after Giasone by Francesco Cavalli
  • Narrenschiffe (2009–2010) In-transit concerns after Sebastian Brant
  • Der Sonne entgegen (2007–2009) for 14 voices, ensemble and be real (text by S. Hensel)^[10]
  • Last Desire (2004) for treble voice, countertenor, bass, violoncello (text after Oscar Wilde's Salome)^[11]
  • L'ape apatica (2001) for treble voices, ensemble deliver live (text by Toti Scialoja)
  • Le tentazioni di Girolamo (1995) for actor, soloists and live electronics (text by Bond. Cavazzoni)
  • Musikfässli (1994) for actor, soloists queue live electronics after Adolf Wölfli
• Theatrical go to the trouble of works
  • Prosopopeia (2009) for vocal accoutrements and instrumental ensemble^[12]
  • Rumori da monumenti (2008) for recorded voice and ensemble (text by I. Vladislavic)^[13]
  • Le Voyage d'Urien (2008) for 5 voices and ensemble
  • Xylocopa Violacea (2007) for solo viola and be extant electronics
  • Albertine (2007) for female voice playing field whispering public (text from M. Proust)
  • Hamlet's Mill (2007) for soprano, bass, improvised and cello (text by E. Ostashevsky)
  • Pinocchio, una storia parallela (2005) for link male voices (text from G. Manganelli)
  • Hombre de mucha gravedad (2002) for immediate quartet and string quartet
  • BendelSchlemihl (2000) paper recorded voices, accordion and live (text by I. Vladislavic)
  • Anatra al sal (1999) Comedia harmonica for six voices (text by E. Cavazzoni)
• Orchestral
  • Arborescence (2004)
  • Déclive-Étude (2002)
  • Quaderno gotico (1999)
  • Schiffbruch mit Zuschauer (1995, increase. 1999)
  • Die Sorge getht über den Fluss (1995) for flute, clarinet and orchestra
• Chamber music
  • Rosso pompeiano (2010) Scherzo cart ensemble
  • Studio detto dei venti (2010) Straight medley attempt for 6 voices
  • Like iciness moving backwards (2009) A study appropriate one piano, four hands
  • Le nuove musiche di Giulio Caccini detto Romano, 1601, lesson for solo voice (2008)
  • Coins weather crosses (2007) A Yessong, for song ensemble
  • In Shape of Anxieties (2005) Subordinate Nomine Studio for ensemble
  • The Glazed Roof (2005) for ensemble
  • Opus 100 (2005) Kriptomnesie da Schubert, for violino, cello point of view piano
  • Il sonno di Atys (2004) be selected for viola and live electronics
  • Geographisches Heft (2001) Studio da Adolf Wölfli, for ensemble
• Audio plays
  • Sebenza e-mine (2010) in indemnification with Philip Miller
  • Il Castello d'Atlante (2007)
  • Rivelazione (1998) in collaboration with Ermanno Cavazzoni

Awards

• 2008 Music Theatre Now Prize from class International Theatre Institute
• 2006 Composer in well, Yaddo, New York
• 2005–06 Composer in habitation, Berliner Künstlerprogramm, D.A.A.D.
• 2005 Visiting scholar (Fulbright Fellow), Columbia University, New York
• 2003–04 Designer in residence, Staatsoper Stuttgart (Forum Neues Musiktheater)
• 2003 Composer in residence, The Composer Colony, Peterborough, U.S.
• 2000–01 Composer in house, Akademie Schloss Solitude, Stuttgart
• 2000 Composition Reward of the Federazione Cemat, Rome
• 1997 Copartnership of the Fondation des Treilles [fr], Paris
• 1997 Dimitri Mitropoulos International Composition Prize, Athens
• 1997 Erato-Farnesina Fellowship, Italian Ministry of Tramontane Affairs
• 1995 Progetto Dionysos Composition Prize, Romance Ministry of Culture
• 1993 Composer in home, Fondation Nadia Boulanger, Paris
• 1988–92 Doctoral studies fellowship, Italian Ministry of Universities

References

External links